three mixes from the brand new berlin based label/project “in love we trust”. classic new york house inspired for the a side opening tune, driven by an off partiture alto-sax unfolding over a throbbing bass, four to the floor beats and great message delivered by a strong male voice, followed by a slower tempo roller-skate, atmospheric, garage inspired disco cut with a solid 80’s style linn drum grove, catchy riffs and a powerful bass line. rougher beats and a more acidic vibe for the flip side, direct and effective floor stomper guaranteed to raise heartbeats

future times is proud to announce a onetime redrop of the beautiful swimmers remix of mo kolours tune mini culcha on a one-sided white label! originally part of the amazing ep2: banana wine release by mo via one handed music, we brought it back to life, pressed loud and fat on wax all by itself for the deejays!

welcome back, okain! after his praised collaboration with onno resulting in their conjunctional triple o ep samuel thalmann a.k.a. okain is about to unleash four brand new tunes on his forthcoming upon.you-single coma. with the title track coma our french friend masterly crafts an enthrallingly bouncy mother of a tune walking the fine line between house and techhouse, serving swirling hi-nrg synth modulations and super ecstatic vocal bits for those who like to get into the groove. this track is prime time heaven for all clubbers out there

latest wicked bass instalment comes from lost 1990s tapes of an underground estonian production group, hupnosaurus. side a opens with muru, a simple ballad with its stripped kicks and funky string bass that gradually reach a lo-fi acidic house condition with psychedelic swirls appearing every now and then. bookworms provides a remix treatment with thick, multi-layered overdriven & looped madness that strips the original to a simple bassline and occasional industrial stabs. on side b, always in n out starts out as unorthodox blend of a classic techno kick and speed garage percussion, but after a long building spacey pad breaks into a classic filtered house tune with transposed chords and cut-up vocals that runs until the end of the track. the last title track demonstrates heavy stomping kicks, swinging hats, familiar psychedelic whirls and a trippy, crushed vocal sample appearing out of nowhere questioning where am i?

italian records strikes again with another retro-futuristic step through its kult 80s catalog. in the late 70s gaznevada has been one of the most relevant italian punk-wave band coming to light from italian underground scene. in 1982 with i.c. love affair gaznevada moved from post-punk to new-wave pop electronic, this tune is, without any doubt, considered as a proto-house disco, an anthem on the most important clubs all over the world. for this special 2015 release italian records included in the package reconstructions by i-robots and giangi cappai, the already well know munk edit and finally & officially the david depino edit

lakehead returns to nabla for a second release by evolving his rendition of unearthly ambient pads with a tasty three track ep. two parts testimonial, one part interpretation, this record emulates ‘90’s groovy techno with modern melancholic keys tantalizingly hovering over fog drenched surfaces. the a-side sees us start with ‘1991,’ an assertively murky tune that immediately intoxicates with the introduction of keys that manage to invigorate and remain melancholic. following bewitching synth work, a throbbing energetic bass line pieces this number together while releasing suppressed emotion. a true anthem! on the flipside, nabla welcomes zaphod salmon to the fore with a well-taken, minimalist approach in remixing ‘1991’. by sparingly using snippets of hi-hats, claps and snares, zaphod creates formidable tension in an onrushing build up. this mixture of harmonic sounds sensibly reintroduces key elements of the original in a sensation shrouded in suffocating haze. ‚workout trax’ maintains the straight-faced groovy vibe with intermittent bleeps and filthy cymbal work whose jacking undercurrent will keep your feet moving. with its rhythmic nature beat, ‚workout trax’ represents machine funk at its finest. like the moon the strength of its gravitational pull will create a powerful tide swiping unsuspecting subject towards the dancefloor, whetting your appetite by precisely ending when the hypnotic swirl begins to form

the opilec music label has once again cooked up a very special new project for its next ep: *dirty talk* is a remake of the classic 80s italo disco, proto-house tune by klein & m.b.o. and has been produced by label boss i-robots.

a1. celestial encounter (original mix) 6:08 – 4×4 driven groover laced with choppy hi-hats, complexed rhythms, and orchestration only fit for mental travels. an uplifting tune of spirit and electronic sorcery. a2. ominous 4:58 – steely industrial percussion, creepy atmospheres, dance floor know-how. the honest depiction of the title lurking within the corners of your psyche. a3. celestial encounters (interlude) 1:22 a fine example of the latest in signature interludes from the optic nerve project. movement & imagination. b1. jazzy circuitry 4:49- moody, computer-ridden textures walking along side a odd-time signature until the introduction of the bassline and trippy piano keys seal the deal on craft & creation. niceness, indeed. b2. jazzy circuitry ( blaktonys step glide remix ) 4:18 traditional optic nerve ambience is chopped & rehashed into a 1/2 step groover then blasted into a full jam session by blaktony. madness/a complete new trip on the original structure & tune.

w&p hgg is back to deep explorer since his last release on the label in 2010. this new ep contains edit gospel 5, a hard to find old classic tune by w&p hgg and two new versions of the song by the deep explorer heads, one killer club cut by dubbyman and another downbeat take for chilled moments. is crurch time

a new white label brought to you by a group of friends including moire&#769,,,,,,,, disguise, etc. in collaboration with phonica records. this marks the debut release from the creative imprint neversleep whose previous work includes the art direction and a&r of moire&#769,,,,,,,’s debut lp *shelter* - out now on werkdiscs/ninja tune - plus various visual work from disguise.
on the a side - a massive floor remix from moire&#769,,,,,,,, melding rhythms and percussion with a driving bass and lead. on the flipside, disguise makes an appearance first with a collaborative party girls edit alongside moire&#769,,,,,,, and then with his own take of mouth shut. this release marks the sound debut of disguise, whose visual and video work on *shelter* helped shape the strong aesthetic root of the album. this can be seen again in the video mixtape on neversleeps website - neversleep.co - presented to complement the release online.

jaumet is back,but not alone,he asked 3 remixers to revisit his track la visite.on the a side,we have a brand new band from duseldorf,the wilde jagt.we know the boys from their previous band,der rauber und der prinz(released of desolat)which a favorite from everyone at versatile.thet deliver a surprising mix of la visite,in a pure kraut fashion(neu is not that for).on the flip,the french man low jack turns the tune into a dub marécage.multi layered music typical of the low jack.and finally,gilb r,so inspired by jaumet,delivers his own ambiant version of one the highlight of jaumet s album,midnight man(a tribute to i:cube who use to come at the studio at night at that time)

italian born producer distant memories with a four track ep via london based label, wunderkammer recordings. the ep starts with degrado (a1) that belongs to a segment of works named originally “untono” because of the minimum employment of sound elements in the composition. few and simple sonorities to describe the disapproval on the current conditions of things. compulsive (a2) is a track with a more deep feeling that proceeds untill the end around a sharp kick and spectral and obscure sounds. it is crystal clear that this tune represents a compulsive behavior. while mentale (b1) has a good speed with a deep ambience. is a mental but natural progression of sounds that evolves maintaining an incessant and hypnotic journey with a classic refrain that characterized late ’90 trance records. a never-ending cycle minimalism aesthetics of the whole ep.

welcome to the dark side. where chaos is the constant, distortion forms the standard and frontiers are built out of opaque shadows. mumbling voices are hunting you through a maze of creepy synthesizer sounds. welcome to antifuse. with their latest release, the berlin-based duo nerkkirn are following their path of experimental techno sounds, this time leading into dark shades of whirring electronic sounds. by creating a gloomy, yet groovy tune, antifuse builds up a perfectly conductive path within the unique sound system of snork enterprises. like a mysterious rollercoaster, four versatile tracks are pulling you into a vague ride through various spheres of electronic sounds. starting off with high speed into the deep and gloomy mines of underground techno, dipode unfolds its dark side in full blast. moving forward, antifuse chases you upside down on a roaring bass line merging into electronichangover. there, in a reduced atmosphere of sound, subtle tunes still forcefully keep pushing you through an odd darkness until everything, then, flows into a slight glow at the end of the tunnel - reversebias.

ltd edition 100 units
la cimenterie is very proud to present you its first ep. the alan du coq project is an independent venture led by french producer lemon mcwright. magical encounters with talented musicians characterize this first release full of groove and good vibes. anne la pitch is a funky tune featuring saxophone maestro fredmelosax (long time collaborator of playin’ 4 the city, dj deep) that will definitely get your groove on. brazilialan is soaked with brazilian flavours. a sexy and classy bass drives the track accompala cimenterie is very proud to present you its first ep. the alan du coq project is an independent venture led by french producer lemon mcwright. magical encounters with talented musicians characterize this first release full of groove and good vibes. anne la pitch is a funky tune featuring saxophone maestro fredmelosax (long time collaborator of playin’ 4 the city, dj deep) that will definitely get your groove on. brazilialan is soaked with brazilian flavours. a sexy and classy bass drives the track accompanied by percussions. a perfect vibe to give your night a live and tropical twist.finally, pompe le pad is… pumping, giving you that wild energy you need at 3am to get those booties shaking and bouncing…nied by percussions. a perfect vibe to give your night a live and tropical twist.finally, pompe le pad is… pumping, giving you that wild energy you need at 3am to get those booties shaking and bouncing…

some facts about duncan gray... he is a multi-instrumentalist tune smith... he has a label called tici taci... he was, along with our kid, one half of the criminally under-rated machine funk duo the sons of slough who produced an album of elastic electro (milk, milk, lemonade) and invented electro-bingo (two fat ladies... aux 88). he has recorded a cover version of robert calverts (ex-hawkwind) *lord of the hornets*... he has played space guitar on a number of my remixes (we like to call his sound pink wray). he has given me 4 tracks of low-slung sleazey loveliness to release on bird scarer...
andrew weatherall : march 2015

‘psych , the long-awaited freaks album released in 2014 gets a re-release in 2015 with some brand new remixes. freaks, a musical partnership between luke solomon and justin harris that s spanned twenty years and includes the music for freaks label, four albums, and an avalanche of singles on the likes of playhouse and hot creations to crosstown rebels, news and international deejay gigolos. the album was released to rave reviews and featured a much awaited gathering of material from the late 00s onwards, including collaborations with robert owens, stella attar and diz washington. this 12- includes interpretations from dave aju, jamie 3:26 and freaks. for over a decade, san francisco innovator and a vital part of circus company, dave aju has been producing and performing his unique brand of electronic dance music, a consistently fresh and expressive sound. his remix of situations makes no exception, a strong piece of jacking house music with bubbling sub bass, strong raw percussive beats, and an effective use of diz vocals and the flute sound. on the b side misfits is reworked by chicago s master jamie 3:26 who turns the tune into an acid house monster and by freaks themselves who extend their original version for dance floor action. a strong package…and more to come !

*stranger than fiction* ist eine vom rock-n-roll-fachmann dave penny zusammengestellte sammlung an us-rockabilly songs aus den jahren 1954-1962, die in den 70er jahren während des rockabilly-revivals auf spezialistenlabels wiederveröffentlicht wurden. die limitierte 2lp enthält eine auswahl von 36 highlights der 3cd-edition.

4 tracks placed on vinyl and then a download card giving 3 more! first up is better than yours with leah hannah on vocals and spoken word. war time is next percussive banger, on the flip you find another banger dont look any further and kito jempere’s dub for pisces tune.

excellent summer house tune, groovy & goodfeeling... ltd coloured 10 inch

with an ever increasing back catalogue under his belt, would anyone still assume, adam port’s next creative steps are easy to predict? au contraire! here’s his new keinemusik release you hadn’t reckoned with. this very “i never wear black” ep shows him changing tune drastically and that in the true sense of the word.

another fine example of funky-soul at its very best. while the a-side is highly regarded within the northern soul scene, the b-side is the tune why funk 45 collectors are after this beauty. bot sides were recorded in the early 1970s and pressed on a small press run on 45rpm single. original copies are nowadays very hard to find and due to the outstanding quality sought after by record collectors worldwide.

bristol s kamikaze space programme joins the trust family with a blistering ep of industrial bass music. stokes croft opens with none other than prolific ninja tune artist emika as a guest, whose haunting vocals turn choke into an ear-catching hybrid of industrial bass electro and gothic pop. three percussive bangers further elaborate chris jarmans philosophy of crafting hard-edged beats from found and self-recorded sounds rather than worn and tired presets, head-strong, futuristic, and ready to obliterate stylistic stagnation with sonic innovation

anonymous is a regular tune in chris liebings sets across the world since summer 2014. the track has been selected by rebekah on her mind sets compilation on clr. anonymous is a subtle groove driven techno tune designed for the dancefloor. on the flip side of clr087 emerson takes us on a cinematic journey with his very own too many people talking (not enough information). a mesmerizing ambient tune that invites us to get into emersons universe. anonymous ep by emerson is surely one clr release not to be missed. its big! (chris liebings words)

* grooverider returns to headz with his codename john alias
* the avenger grooverider dons his gritty hat for this stepping roll out, all tense mids mid-range and snarls, perfect dancefloor material
* john & tony gangster samples from codename john on this one, cheeky steps and bass stabs are the order of the day
* saviour selector a clash tune if there was any, the war cry for all other selectors is there for them to take heed!

turn on, tune in and drop out - aficionado are back once again to fully adjust your frequencies. riding coastal breeze and gulf stream down from the north, swedish space cadets farbror resande mac made a positive connection with manchester s balearic chieftains and beamed aboard the ss nado for five boundless expeditions into distant sound space.

parages music presents their 8th release. on the a side there is a track by honesty, german dj-producer, half of slope music, signed on cabinet records and sonar kollektiv. he delivers for parages a big house track, full of warm chords, strong claps and a moving bassline. better drop this one at peak time ! the remix is done by the one and only moonstarr, broken beat pioneer and classy remixer. a man who knows everything about detroit techno, hiphop and bossa. moonstarr chop honestys track into a fast groovy tune, bassline and chords are losing control! on the b side its adjowas tune orient. the man is producing a lot recenlty, signed on freerange, dont be afraid and happy skull. this track is made live with vintage gear and is tape recorded. orient is a boogie electro bomb, super vintage synths, maximum groove bassline, and dusty reverb. a must have.the remixer on this side is basic soul unit, not necessary to introduce this one. top producer, dj and remixer. it is his 2nd appearance on parages. bsu switches adjowa’s track into a dub affair, basement feel, 808, masterclasstune.

years ago and aided by his older brother, the maghreban used to listen to a london pirate called green apple. he very much enjoyed these sounds. whilst not identical to what was played on the station, this tune is influenced by those and earlier times.
single sided pressing, stamped whitelabel.

käse kool s fifth release, the friends n no ends ep, is comprised of 5 berlin-based producers, each of which brings his own unique sound to ep. a1, appearance, comes from the face behind crude wax, vincenzo maurice. this tune comes with a rough attitude of sheer analogue house. a2, wismut, comes from the man with the plan, nick beringer. this track speaks for itself with its punchy bass-line and direct groove. b1, visions, comes from a newly formed duo who goes by mode7. this promising duo hits it home with their newest track visions as its sweet and sultry pads play with the drive of bass and drums. lastly b2, system is wack, comes from a producer who goes by the name of aurhythm (aka dennis sekyere). this track speaks for itself, as being very rude with it s rough drive but still keeping its own delicate stems

last year we released aaron ahrends first brief embrace ep, which received lots of great feedback. ada (pampa) took newborn and started to do a remix. at the same time she took some larvae as pets and watched their metamorphosis. at the end she released them as butterflies. the tune was highly recommended at here bbqs over the last summer. last year the forgotten birds (karaoke kalk) decided to stop touring as a band. their first and might be last remix at all was created spontaneously in a jam session. enough reason for to be very happy about their awesome gift.

goodies is a showcase of well known and fresh artist of the cabinet crew. dj honesty (aka honeydrop) kicks off with a nice n deep groover. the bassline is timeless. lemakuhlar follows with a simple and effective tech-house boom. one chord to rule them all. phazer shows his early nineties house roots. yeep ya. nohas track closes this package with a magical tune. some things to enjoy at home, on your ways or on the dancefloor.

all time great house tune als incl. the fantastic -i wanna know-

a.1: rampage is an explosive toolish techno tune, that submerges in a dark but atmosferic radiance with heavy pulsating drums and bass lines that engulfes into total deepness. a track frull of atitude. b.1 chase on the flippside is another straight forward thinking production, that overcomes with overdimensional chords and with an intelligent funky sequence that wraps you in again and again.

4th and final part of this legendary morris audio compilation series bringing some new (origins sound, manooz) and old faces (volta cab, julien sandre), but keeping the house vibe in different shades. up and coming origins sound (glasgow underground, lost) present a bassy pumping uk house tune whereas volta cab (kolour, hypercolour) goes back the the rave days and invites us to some hardcore heaven. the flipside starts with morris audio buddy julien sandre, who is still some kind of secret underground weapon, even if he already released on argys these days label or on tsuba. finishing off the ep is manooz (alive, extended play) with a great deep and raw house tune. this all is for you, seven daze a week!

having written the infectious theme song to the chicago party television series, we felt necessary to bring the pianist/composer into the foreground for his own proper two-parter. this very demo of -rush- made it into the hands of charles davis, who re-recorded the tune for a stray single on sutra records in 1982. included on ultra-high frequencies: the chicago party, -you bring me up- is completely unreleased and represents the pinnacle of early 80s r&b from chicago.

erste teaser-single zum im juni anstehenden debütalbum auf dem ninja tune sublabel counter records. das britische duo um chris davids and liam ivory liegt musikalisch irgendwo zwischen sohn, gold panda und the xx. darüber hinaus beinhaltet die 12 inch mit raincoats noch einen exklusiven track.

deep dub techno music - mastered by salz music. with >the tube< the seventh release of the label tiefenrausch awakes – this time out of the hands of biodub. as a reminiscence to the early times of dub, the record comes as 7inch vinyl. in a classical but innovative manner biodub creates a tune between relaxed as well as driving beats and an irresistible deepness. the record presents one track in two different versions. while “the tube” solely bets on the instrumental deepness, “until forever” comes with the voice of ray darwin and disperses a pinch of reggae into the track. the vinyl is decorated with the artwork of alexander ketzer. he created the perfect cover referring to jules verne. 20.000 leagues under the sea – exactly the right slogan for tiefenrausch 007.

currently causing quite a stir on the underground, the jerome hill remix of marshall jeffersons s trax classic lost in the groove is a complete re-interpretation, solid jacking (hard) house music using the original vocal that s cut loud onto the vinyl and worms inside your head and has been doing serious damage in the clubs and festivals last year. now with all licensing and red tape cleared away, it s set for release. dancer boom boom is actually a collaboration between acid legend adonis and sidney winters, with a mix down by house legend frankie knuckles. this sat on the b side of am a dog on trax records and is rare & obscure to say the least, but once the needle touches the groove you know it s a killer. massive kick drums and mysterious organ scales, this one is a mad mad tune ! produced in 1987 (and sounding like nothing else from that year) it s been given a very slight and very respectful re-arrangement by jerome hill, remastered and cut super loud. strictly limited and if the previous titles on the label are anything to go by, this one will sell out equally quick.

a1: delivers italian stallion steve murphy with a playful and funky riff based steady house groove with inviting vocals. this tune is first choice for producing high levels of joy on the dancefloor. sure floor burner! a2: well known detroit protagonist gari romalis treats us with old-school shuffling groove wrapped in street like dirtyness. its a no nonsense rhythm that wont allow you to stop moving your feet once your going. perfect for gathering critical mass on the floor. detroit vibe at its best! b1: berlin based alex agore pulls you into this smooth house deepness followed by lovely rhythmic play and rich vocals. sunday afternoon or 3am in the club, it doesnt matter. this is crafted for every occasion or opportunity to relax and enjoy the warmth of house music. b2: goes to young talent from serbia, manjane. its a fusion of house styles under one tune with catchy effect driven vocals. although not defined by one style this track delivers a quality drive to the floor with great combination of subtle rhodes and nice developing breaks

get physicals first delivery for 2015 is, yet again, an ep that strays a bit off the beaten track. for this last installment, gpm290, junge junge has called upon australian native kyle pearce to set some velvety vocals to a toned-down, bittersweet delight of a track. the ‚beautiful girl ep opens with its namesake creation, a thumb piano-laden tune decorated by some seriously smoky singing just waiting to transport you far away. its followed by a handful of distinct reworkings, by audiofly who take on a dub remix and spins the song on its head to give it a new psychedelic identity. meanwhile, blond:ish throws it into darker terrain only to have the ‚beautiful girl lifted up by junge junge once again thanks to a slightly different version that turns it into danceable am epic by way of some wisely-placed kicks and claps.

after his latest be as one release o.d. / helter skelter, and following yotam avni and konplotts endevours on the label, shlomi aber keeps techno flowing from his imprint, releasing his new zipperwork / clones in my backroom ep. zipperwork is a relentless, fast paced techno cut, heavy bass and chunky groove, with a smartly programmed groove. flip the side, and with clones in my backroom you get a slice of straight acidic techno funk, a big room anthem with a distinctive quirky line that goes the extra mile, set to be one of the major of tune of spring 2015.

retro-2000-style-pad-house tune with distinct reinterpretations by dj spider, oskar offermann and philipp boston!

house of black lanterns is the latest musical project from dylan richards, the man behind the king cannibal and zilla monikers (on the ninja tune and warp records labels respectively). with an album and two singles out in 2013 on the highly respected houndstooth label, richards returns with a deadly ep for hypercolour, backed with a very fine mosca remix.

golf claps original is a deeper tune that still works on the floor. remixes come from reset safari, jafunk, and mike millrain.

this is a tape! all good stories need a context. named after the multitalented artist who used to operate at the bauhaus in dessau, »marianne brandt« is the omnidirectional long length debut of alex ketzer, the respected designer behind noorden’s artworks as well as a talented musician on the rise. ketzer recorded in a room at the dessau structure for a few days, meticulously crafting a piece that sounds like a conversation between history and future, audio and visual, bridging the gap over a century of creation in one of the epicentres of the highest form of artistic production in europe. and now inviting electronic music to its table.

fresh and exclusive from butchs watergate mix is a massive cut with his partner in crime, hohberg titled the spirit. add a remix from the swiss duo adriatique and a tune from butch flying solo and you have songs about unconsciousness.

after one year since the first release night visions, the nightdrivers team is back for another race on their own imprint with a bunch of fresh, obscure and rolling bangers named nightlights: the record starts with the mutant and spastic tech funk of the epic bright lights, a totally sweat walled basement track where a dirty, crispy and crunchy disco break combines with an edgy, syncopated 909 driving beat while a cheeky melody of party-bells going slightly out of tune runs on the top of it.

yoruba records is proud to add glasgows vince watson to the family with his first release on the label. the techno heavyweight who has seen releases on planet e and poker flat, as well as his own bio imprint has departed from his previous work in this wonderfully crafted ep, which opens with the brilliantly ambient tune: a moment with lonnie. the more club friendly eminesence begins with a punchy, rolling bass line and then opens up with a hypnotic sweeping piano melody. the mid-track radiant breakdown is sure to capture the listener’s attention before coming full circle into a head-bob-inducing bass line driven groove. from there, the journey continues with the tribal-esque calypso, a melodic groove sure to get the floor moving. with its subtle keys and well-positioned claps this tune a friend of dance floors and home stereo systems alike. the release closes with under the skin, a well thought out afterhours track sure to bring any night to a smooth conclusion.

swedish romb music has been moving below the radar for a while now, even tho some of their gems are secret weapons by a number of dj s. this 7th release in their discography might get them on the radar! following pawel s great -got me burning- on romb003, he is finally releasing a full-length ep for romb records. the a side starts with a deep and soulful joe smooth inspired track followed by a more moody deep chicago influenced tune. the b side sets off with a bass heavy detroit groove and ends with early 90s ibiza 6am house-track with a twist. strong release with some timeless music!

now indie pop favourites metronomy seek their magic touch to turn -love letters- into a house tune with all the ingredients to create an epic vibe.